She's meeting her boyfriend's parents for the first time but while inside the car with him, we can see he's barely interested in responding to her. From the beginning when we have the perspective of the character of Jessie Buckley, you realize that something is wrong. The idea and its conceptualization are those who take center stage but that only makes sense when you realize the characters presented aren't going anywhere. It's an idea that doesn't seem to make sense, especially since this is reflected in the characters and you understand it when after certain events you realize that there is no central character. I’m Thinking of Ending Things feeds on being weird but unfortunately for its development it doesn't seem to be interested in that weirdness being something worth mentioning, rather that is simply the presentation layer. Honestly, I'm already preparing for the wave of opinions that I will see about that online. And when you wander down that path if there’s no heart behind the intellectual pomposity, you will hardly give the viewer good reasons to remain interested beyond the fact of assuming that it’s a "deep" film and the weak couldn’t understand it. I expected no less from Kaufman, but what lies behind the facade is too vague. And when you wander down that path if there’s no heart behind the intellectual pomposity, you will hardly give the I’m Thinking of Ending Things it’s quite a trip. I’m Thinking of Ending Things it’s quite a trip.
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